3 film stocks · −2 to +3 EV · Standard and Professional

ANALOG VISION STUDIO – Cine Edition

4.9 from 268 reviews of Analog Vision Studio

Built from real 35mm film, scanned on the Frontier SP⁠-⁠500 and the Noritsu.

€69

One program per purchase. Need both? Add the second program for €49.

Cine Edition for Lightroom and Photoshop (Camera Raw) Cine Edition for Capture One
Your program

Works in Lightroom Classic, Lightroom and Camera Raw, which also runs inside Photoshop.

What you get

  • Cine Edition: 3 film stocks as 128 3D LUT-based profiles
  • Every film stock scanned on the Frontier SP⁠-⁠500 and the Noritsu
  • Standard and Professional version of every profile
  • AVS Base Neutral camera profiles for 368 camera models
  • AVS Lab Tech, the plug-in for Lightroom Classic
  • AVS Toolkit, finishing presets for tone, color, grain and masks
  • Download after checkout

01Sample photos

Real photos with the Cine Edition film stocks.

Every photo is labeled with its film stock. Tap to see the raw file.

Portrait against a concrete wall with the Vision 3 200T film profile at 0 EV Vision 3 200T

Edit recipe

  1. Film profileVision 3 200T Daylight · Frontier · 0 EV

  2. AVS Lab Tech

    Lab Fade
    36 %

  3. AVS Film GrainVision 3 200T Daylight Frontier, with softness

White balance as shot. Exposure and tone are the same on both sides.

Vision 3 200T · 0 EV · Frontier Fujifilm X-Pro2
Fruit stand with the Vision 3 250D film profile at 0 EV Vision 3 250D
Vision 3 250D · 0 EV Leica Q3
Woman in a headscarf in a beam of church light with the Vision 3 500T film profile at 0 EV Vision 3 500T

Edit recipe

  1. Film profileVision 3 500T Daylight · Frontier · 0 EV

  2. AVS Lab Tech

    Lab Fade
    78 %
    Color Matrix
    12

  3. AVS Film GrainVision 3 500T Daylight Frontier, with softness

White balance as shot. Exposure and tone are the same on both sides.

Vision 3 500T · 0 EV · Frontier Leica Q3
Underground passage under tungsten light with the Vision 3 200T film profile at 0 EV Vision 3 200T

Edit recipe

  1. Film profileVision 3 200T Tungsten · Frontier · 0 EV

  2. AVS Lab Tech

    Lab Fade
    42 %

  3. AVS Film GrainVision 3 200T Tungsten Frontier, with softness

White balance set by hand for tungsten light (3100 K). Exposure and tone are the same on both sides.

Vision 3 200T · 0 EV · Frontier Fujifilm X-Pro2
Airplane window with the Vision 3 250D film profile at +1 EV Vision 3 250D
Vision 3 250D · +1 EV Leica Q3
Smoke over a burning field through a car window with the Vision 3 500T film profile at 0 EV Vision 3 500T

Edit recipe

  1. Film profileVision 3 500T Tungsten · Frontier · 0 EV

  2. AVS Lab Tech

    Lab Fade
    136 %
    Split Toning
    Shadows Cyan 50 · Highlights Yellow 22
    Grain
    C3 · ISO 400

White balance set by hand for tungsten light (3307 K). Exposure and tone are the same on both sides.

Vision 3 500T · 0 EV · Frontier Fujifilm GFX50S II · @marius_vogler
Road tunnel in warm light with the Vision 3 200T film profile at 0 EV Vision 3 200T

Edit recipe

  1. Film profileVision 3 200T Daylight · Frontier · 0 EV

  2. AVS Lab Tech

    Lab Fade
    44 %

  3. AVS Film GrainVision 3 200T Daylight Frontier, with softness

White balance set by hand for tungsten light (3570 K). Exposure and tone are the same on both sides.

Vision 3 200T · 0 EV · Frontier Leica Q3
Kites on a wide beach with the Vision 3 250D film profile at +2 EV Vision 3 250D
Vision 3 250D · +2 EV Leica Q3
Candles in front of icons in a dark chapel with the Vision 3 500T film profile at 0 EV Vision 3 500T

Edit recipe

  1. Film profileVision 3 500T Daylight · Frontier · 0 EV

  2. AVS Lab Tech

    Lab Fade
    78 %
    Color Matrix
    12

  3. AVS Film GrainVision 3 500T Daylight Frontier, with softness

White balance as shot. Exposure and tone are the same on both sides.

Vision 3 500T · 0 EV · Frontier Leica Q3

Lumenary’s own photos: the film profile and small edits, white balance as shot. Tap Recipe on a photo to see every step. Partner photos are credited.

02The film stocks

The Cine Edition has 3 film stocks, each scanned on the Frontier SP⁠-⁠500 and the Noritsu.

Pick a film stock in Lightroom or Capture One, and your photos get the colors of that film.

  1. 01Vision 3 200T (Daylight and Tungsten)
  2. 02Vision 3 250D
  3. 03Vision 3 500T (Daylight and Tungsten)
  • 3 film stocksEach one scanned on both the Frontier SP⁠-⁠500 and the Noritsu.
  • 128 profilesFor Lightroom and Camera Raw, in Standard and Professional versions.
  • 64 styles per cameraFor Capture One, built for the camera you choose.
  • −2 to +3 EVExposure levels from two stops under to three stops over.

03Side by side

Next to a Portra 400 film scan, the profile holds the colors of the film.

One raw file of a 140-patch color chart. Drag the line to compare.

The Portra 400 negative of the color chart, scanned on a Frontier SP-500
The same raw file with the Portra 400 film profile at 0 EV
Film scanPortra 400 profile

An example with Portra 400, which is not in this edition. Every film stock in the library is built the same way.

From the Portra 400 profile build at 0 EV. Raw file: Sony A7 IV, Professional version, no grain added. Negative: 35mm film, shot separately, scanned on a Frontier SP-500.

04Six exposure levels

Six exposure levels per film stock. Pick the one that fits your light.

Portra 400 film profile at −2 EVPortra 400 film profile at −1 EVPortra 400 film profile at 0 EVPortra 400 film profile at +1 EVPortra 400 film profile at +2 EVPortra 400 film profile at +3 EV
PORTRA 400 · THE SAME PORTRAIT AT SIX EXPOSURES
Choose an exposure

Top row: the lit cheek. Bottom row: the shadow under the jaw. Both are sampled from the same portrait at each exposure.

What changes
Below 0 EV skin gets deeper and warmer. Above 0 EV it gets lighter and softer.
How to choose
Start at 0 EV, then step down or up until the skin looks right.

05Professional, for Lightroom and Camera Raw

With Professional, two different cameras give you the same film look.

Standard works with every camera. Professional adds a neutral profile for your camera model underneath the film stock, so a wedding shot on two bodies comes out with one look.

  • Made for working photographersWeddings, events and client series, where every frame has to match.
  • 368 camera modelsNot listed? Use Standard, which works with every camera.
  • Both come with every editionStandard and Professional are in the same download. AVS Lab Tech picks Professional for you when your camera is supported.

      See all supported cameras

      06Verified reviews

      Every review here is quoted word for word.

      Published reviews from buyers of the Essential edition, from before the launch of the library. Camera and genre are their own answers.

      4.9 268 reviews of Analog Vision Studio
        I'm enjoying these profiles more than any presets I've bought. They feel more broadly useful. I'm a hobbyist who does not enjoy editing so I'm looking for a way to process my photos more quickly - this is helpful.
        Casey K.Fujifilm, Nikon · Travel & LandscapeVerified buyer
        It’s rare to find profiles that respect the natural colors of a landscape while elevated portraits so effortlessly. These don't rely on heavy, contrasty gimmicks; instead, they provide a perfect, timeless foundation that makes skin tones look amazing and greens/earth tones blend seamlessly. A phenomenal solo project that beats out many massive preset brands.
        NathanielCanon · Portrait & EditorialVerified buyer
        The profiles and toolkit give a solid starting background. I love it to quickly complement iPhone photos to photos taken on other cameras of same event to provide more cohesive gallery.
        JOEYVerified buyer
        Very impressed with these profiles. I shoot a lot of film for personal projects, but for cost and practical reasons mostly shoot digital for commercial work and casual photography. It's great to be able to achieve a very convincing film look with the conveniences of digital. …
        NeilCanon · Architecture & InteriorVerified buyer
        Purchased this pack for the profiles but the workflow tools and lab tech plugin are where Im impressed. Great functionality with subtle accurate shifts.
        Matt S.Fujifilm · Travel & LandscapeVerified buyer
        Absolutely loving the profiles and the colors they're producing. Sebastian is a great help and has answered any questions I had in regard to the workflow as well. …
        Joseph D.Sony · MixedVerified buyer
        … I am really happy with both the tools and profiles and think they are great value for money, there are a lot of options within the pack. I would recommend!
        Rachel K.Sony · Portrait & EditorialVerified buyer
        Worked great in clean light to match my film. I had to do more tweaking to get my film to match when working in more challenging conditions but that is to be expected. Overall I have enjoyed working with these.
        TheoNikon, Fujifilm · Wedding & EventVerified buyer
        I am so skeptical to buy into products that market towards achieving a specific end goal (especially in the saturated market of film-like presets/profiles) but this is the real deal. ... This is a WORTHY tool to invest into.
        Rowan W.Leica · Wedding & EventVerified buyer
        Read all reviews

        07Before you buy

        The 3D LUT-based profiles work in Lightroom, Camera Raw and Photoshop, and the ICC-based styles in Capture One.

        What you get there
        Lightroom Classic 7.3+3D LUT-based profiles and the AVS Toolkit. The AVS Lab Tech plug-in needs Lightroom Classic 12 or newer.
        Lightroom 1.3+3D LUT-based profiles and the AVS Toolkit, on desktop and, after one import on a desktop, on your phone.
        Camera Raw 10.3+3D LUT-based profiles and the AVS Toolkit, also in Photoshop.
        Capture OneICC-based styles for the camera you choose before you buy. Checked in Capture One Pro 16.8 on Mac.
        Other editorsNo. These are Lightroom profiles and Capture One styles, not .cube files.

        Questions photographers ask before they buy

        Which program do I choose?

        Choose the program you edit in. A purchase covers one program: Lightroom and Camera Raw, or Capture One.

        Can I use a pack in both programs?

        Yes. Add the second program to your order for €49 / $59 and you get the same pack for the other program.

        My camera isn't on the list. Can I still use the profiles?

        In Lightroom and Camera Raw, yes. Use the Standard version, which works with every camera Camera Raw supports. Both versions come with every pack.

        Which camera do I choose for Capture One?

        The one you shoot with most. The ICC-based styles are built for that camera. Every further camera is an add-on, and its price for this edition is shown under the camera field.

        Can I buy more than one pack?

        Yes. Packs share their files, so a profile that two packs contain is installed once.

        Can I buy single film stocks?

        No. Film stocks come in editions. The smallest are the Cine and B&W Editions, three film stocks each.

        Where are the limits?

        The profiles are built in daylight. They stay flexible in other light, but there is no promise of a perfect match at night or under extreme color. Professional needs a raw file. Capture One styles are built for one camera model.

        Can I try it first?

        Yes. Kodacolor 100 and Vision 3 250D are free at 0 EV, Standard version, for Lightroom, on the free film profiles page.