Coming Soon
Film emulation,
measured — not guessed.
Analog Vision Studio 2.0 is a digital film emulation system built from a 140-patch color chart and includes multi-exposure profiling, and scanner-specific color science for each film stock. Join the priority list to get first access and a special offer on launch day.
140
Calibration patches
20+
Film stocks
7
Exposure levels
2
Scanner versions
The Problem With Presets
Presets can't emulate film.
Here's the technical reason why.

Presets adjust Lightroom sliders — exposure, HSL, tone curves. But Lightroom only gives you 8 HSL sliders to work with. That's not enough control to recreate how a film stock actually responds to light across thousands of color and tonal combinations.

Profiles work differently. Built with 3D LUT technology, they map thousands of individual color data points to bake in the color and tonal output of the desired film stock right into your image in Lightroom. No slider tweaking. No approximation. The full character of the film — highlight rolloff, color crossover, shadow tone — applied in one click.

Presets
Slider adjustments after processing
Work on top of Adobe's default color interpretation. Inconsistent across cameras, lighting, and exposure. Require constant tweaking. The same preset looks different on every image.
Lumenary Profiles
Color science rebuilt from film data
Bake in the color and tonal output of the desired film stock right into your image using LUT-powered color transforms built from real film scans. Thousands of mapped data points vs. 8 HSL sliders. Consistent results across any camera, any lighting.
What's New in 2.0
Everything rebuilt. Nothing approximated.

Version 1 proved the mechanism — LUT-powered profiles that bake in the color and tonal behavior of real film. Version 2 rebuilds the entire calibration system from the ground up. The result is the most accurate and comprehensive film emulation system ever created for Lightroom.

01
140-Patch Calibration
Built from the ColorChecker Digital SG — 140 color patches including 14 dedicated skin tone references. V1 used 24. That's 6x more color data points, which means dramatically smoother color transitions and more accurate skin tones.
02
Multi-Exposure Profiling
Each film stock profiled at up to 7 exposure levels, from -3 EV to +3 EV. Because film behaves differently when underexposed vs. overexposed — and your profiles should too. Pick the exposure level that matches how you shoot.
03
Frontier & Noritsu Versions
Every film stock scanned on both a Fuji Frontier SP-3000 and a Noritsu HS-1800 scanner. Different scanners produce different looks — warm and saturated vs. clean and neutral. For the first time, you choose which scanner aesthetic you want in Lightroom.
The Library
20+ film stocks. Every one calibrated.

From the most popular color negatives to rare cinema stocks. Each profiled from real 35mm and motion picture film, scanned on professional lab equipment, calibrated with the 140-patch Digital SG target.

Color Negative
Portra 160 Portra 400 Portra 400 +1 Portra 800 Gold 200 Gold 200 +1 Ektar 100 Color Plus 200 Kodacolor 100 Kodacolor 200 Pro Image 100 Ultra Max 400 Ultra Max 400 +1 SantaColor 800 Fuji Pro 400H Fujicolor 200 Fujicolor 400
Slide / Reversal
Fuji Velvia 100 Kodak Ektachrome E100
Motion Picture
Vision 3 250D Vision 3 500T Vision 3 200T
The Leap
V1 was good. V2 is the new standard.
V1 V2
Calibration target 24-patch ColorChecker 140-patch Digital SG
Skin tone patches 0 dedicated 14 dedicated
Exposure levels Single (0 EV) Up to 7 (-3 to +3 EV)
Scanner versions Frontier only Frontier + Noritsu
Film stocks 6 stocks 20+ stocks
Be first to access the
new color science standard.
Priority list members get early access before the public launch. Drop your email — we'll let you know the moment it's live.

© 2026 Lumenary. Built by Sebastian Koch.